 Artist: Thin Lizzy: mp3 download Genre(s): Rock Rock: Hard-Rock Thin Lizzy's discography:  Greatest Hits (cd2) Year: 2007 Tracks: 17  Greatest Hits (cd1) Year: 2007 Tracks: 19  Rare, Unreleased Year: 2003 Tracks: 17  Wild One - The Very Best Of Thin Lizzy Year: 1996 Tracks: 17  Whiskey In The Jar Year: 1996 Tracks: 16  Thunder and Lightning Year: 1983 Tracks: 9  Renegade Year: 1981 Tracks: 9  Lizzy Killers Year: 1981 Tracks: 11  Chinatown Year: 1980 Tracks: 9  Black Rose: A Rock Legend Year: 1979 Tracks: 9  Live and Dangerous Year: 1978 Tracks: 17  Bad Reputation Year: 1977 Tracks: 9  Johnny The Fox Year: 1976 Tracks: 10  Jailbreak Year: 1976 Tracks: 9  Fighting Year: 1975 Tracks: 10  Night Life Year: 1974 Tracks: 10  Vagabonds Of The Western World Year: 1973 Tracks: 12  Shades of a Blue Orphanage Year: 1972 Tracks: 9  Thin Lizzy Year: 1971 Tracks: 14  New Day Year: 1971 Tracks: 4 Despite a brobdingnagian hit single in the mid-'70s ("The Boys Are Back in Town") and comely a popular act as with strong rock/heavy alloy fans, Thin Lizzy ar still, in the pantheon of '70s john Rock bands, underappreciated. Formed in the late '60s by Irish singer/songwriter/bassist Phil Lynott, Lizzy, though non the beginning band to do so, combined romanticized propertyless sentiments with their furious, twin-lead guitar attack. As the band's originative crowd out, Lynott was a more than insightful and sound writer than many of his like, preferring slice-of-life propertyless dramas of love and hatred influenced by Bob Dylan, Bruce Springsteen, and virtually all of the Irish literary tradition. Also, as a sour man, Lynott was an anomaly in the nearly all-white public of hard rock, and as such imbued much of his form with a sense of estrangement; he was the outsider, the sentimentalist guy from the other side of the tracks, a soi-disant poet of the unbeloved and downtrodden. His wholesale vision and writerly impulses at multiplication gave way to pretentious songs wishful to clichéd notions of literary implication, but Lynott's limitless personal appeal made even the about misguided moments worth audience. Later on a few early records that hinted at the band's voltage, Lizzy released Fighting in 1975, and the band (Lynott, guitarists Brian Robertson and Scott Gorham, and drummer Brian Downey) had molded itself into a pretty close recording and acting unit. Lynott's thick, soulful vocals were the perfect fomite for his tightly written melodic lines. Gorham and Robertson generally played lead lines in harmonic tandem, piece Downey (a swell drummer world Health Organization had equal amounts of ability and style) drove the engine. Lizzy's large break came with their next album, Jailbreak, and the record's first individual, "The Boys Are Back in Town." A pean to the joys of working-class guys rental loose, the sung resembled standardized odes by Bruce Springsteen, with the exclusion of the Who-like powerfulness chords in the chorus. With the support of radiocommunication and every fraternity boy in America, "Boys" became a immense hit, enough of a hit as to see platter contracts and media attention for the side by side decennium ("Boys" is now used in beer advertising). Ne'er the toast of critics (the bulk penning in the '70s detested laborious john Rock and grievous metal), Lizzy toured unrelentingly, building an watertight reputation as a terrific live stria, despite the jumper lead guitar berth becoming a revolving door (Eric Bell, Gary Moore, Brian Robertson, Snowy White, and John Sykes all stood next to Scott Gorham). The records came fast and savage, and despite attempts to duplicate the recipe that worked like a charm with "Boys," Lynott began written material more ambitious songs and swathe them up in vaguely articulate concept albums. The large fan pedestal the band had built as a resolution of "Boys" off into a littler, yet still enthusiastic caboodle of tough bikers. Adding affront to trauma was the move up of punk rocker rock, which Lynott smartly supported, just made Lizzy appear too traditional and besides much like shopworn old stone stars. By the mid-'80s, resembling the dinosaur that punk rocker john Rock wanted to eliminate, Thin Lizzy called it a life history. Lynott recorded solo records that more explicitly examined issues of course and race, promulgated a now-out-of-print book of verse, and sadly, became a victim of his longtime clapperclaw of diacetylmorphine, cocain, and intoxicant, dying in 1986 at long time 35. Since the mega-popular alternative stone bands of the mid-'90s appropriated numerous melodic messages from their '70s forebears, the work of Phil Lynott and Thin Lizzy will hopefully continue to be seen for the influential rock & wrap it is. In 1999, Thin Lizzy reunited with a lineup featuring guitarists Scott Gorman and John Sykes, and keyboardist Darren Wharton, which was rounded out by a journeyman rhythm section of bassist Marco Mendoza and drummer Tommy Aldridge. The quintet's ensuing European circuit produced the live album One Night Only, which was released in the summer of 2000 to set the stage for a subsequent American concert circuit. |
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